Roy Lichtenstein (1923-1997) was a leading American Pop artist known for his comic strip-inspired paintings that defined the 1960s Pop Art movement. Born in New York City, he studied at Ohio State University and served in World War II. Initially influenced by Abstract Expressionism, Lichtenstein shifted to Pop Art in the early 1960s, creating iconic works like “Look Mickey” (1961), “Whaam!” (1963), and “Drowning Girl” (1963). His style featured Ben-Day dots, bold colors, and thick outlines, mimicking mass media printing techniques and critiquing the commercialization of art. While his work sparked debate over the appropriation of commercial art, it also garnered praise for its innovative cultural commentary. Lichtenstein explored various mediums throughout his career, leaving a lasting impact on contemporary art. He received the National Medal of Arts in 1995 and remains celebrated for his contributions to modern art.

Roy Lichtenstein Quotes

01. “My work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.”
― Roy Lichtenstein

02. “Pop Art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself.”
― Roy Lichtenstein

03. “Use the worst color you can find in each place – it usually is the best.”
― Roy Lichtenstein

04. “I like to pretend that my art has nothing to do with me.”
― Roy Lichtenstein

05. “Organized perception is what art is all about.”
― Roy Lichtenstein

06. “Outside is the world; it’s there. Pop Art looks out into the world.”
― Roy Lichtenstein

07. “There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.”
― Roy Lichtenstein

08. “All my art is in some way about other art, even if the other art is cartoons.”
― Roy Lichtenstein

09. “I’m never drawing the object itself; I’m only drawing a depiction of the object – a kind of crystallized symbol of it.”
― Roy Lichtenstein

10. “Art doesn’t transform. It just plain forms.”
― Roy Lichtenstein

11. “My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.”
― Roy Lichtenstein

12. “I’m not really sure what social message my art carries, if any. And I don’t really want it to carry one. I’m not interested in the subject matter to try to teach society anything, or to try to better our world in any way.”
― Roy Lichtenstein

13. “I’d always wanted to know the difference between a mark that was art and one that wasn’t.”
― Roy Lichtenstein

14. “Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it’s what all the world will soon become. Europe will be the same way, soon, it won’t be American; it will be universal.”
― Roy Lichtenstein

15. “What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward – neo-Zen and all that. Pop Art looks out into the world. It doesn’t look like a painting of something, it looks like the thing itself.”
― Roy Lichtenstein

16. “Color is crucial in painting, but it is very hard to talk about.”
― Roy Lichtenstein

17. “I don’t have big anxieties. I wish I did. I’d be much more interesting.”
― Roy Lichtenstein

18. “I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.”
― Roy Lichtenstein

19. “People think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.”
― Roy Lichtenstein

20. “The things that I have apparently parodied I actually admire.” –
― Roy Lichtenstein

21. “I think that most people think painters are kind of ridiculous, you know?”
― Roy Lichtenstein

22. “I’m interested in what would normally be considered the worst aspects of commercial art. I think it’s the tension between what seems to be so rigid and cliched and the fact that art really can’t be this way.”
― Roy Lichtenstein

23. “But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.”
― Roy Lichtenstein

24. “The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.”
― Roy Lichtenstein

25. “In America the biggest is the best.”
― Roy Lichtenstein